One person
writes all of it.

All of this started with a question: if drama is only something you watch, then where do the lines go that a camera cannot hold? The moment a character stops halfway through a sentence, and the stopping means more than the whole scene around it.

In a script written for television those moments are the first to be cut, because they cost expensive time. Here they are given the room. Every episode is written for the page, not the screen.

Every Reader’s Corner here is built the same way round: the voice first, the story after.

A character is a voice before it is a name. Until the way it speaks is clear — how it hesitates, which word it leans on, which question it runs from — it does not reach the page. The story assembles itself afterwards.

If an episode stays with you, pass it to someone else. That is the whole point of the exercise.